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J. S. Bach (1685-1750):

• Aria Mein gläubiges Herze, frohlocke from the Cantata Also hat Gott die Welt geliebt (BWV68)
  arr. for 4 recorders by Giacomo Andreola)

  Score

  Descant

  Treble

  Tenor

  Bass

• Chorus Lasset uns den nicht zerteilen from St. John Passion (BWV245)
  arr. for recorders by Giacomo Andreola)

  Score

  Descant and Treble

  Tenor and Bass

  Tenor

  Basso continuo (bass recorders)

• Prelude in C-minor for lute (BWV999)
  arr. for recorders by Arnold den Teuling

  Version for	Treble recorder
  Version transposed to G-Minor for	Treble recorder
  Version for	Treble- and bass recorder

• Andante un poco from Sonata in A-Major for violin and harpsichord (BWV1015)
  arr. for recorders by Giacomo Andreola)

  Score

  Treble 1-2

  Bass recorder or bassoon

• Brandenburg Concerto no 1 (BWV1046)
  • 2. movement, arr. for 7 or 8 recorders and b.c. by Stan McDaniel, mcdaniel@sonoma.edu, basso continuo realization by Christian Mondrup

    Score		Descant 1	Descant 2	Treble 1	Treble 2
    Tenor 1	Tenor 2	Bass	Great bass	Harpsichord

  • 3. movement, arr. for 7 recorders and b.c.

    Score		Descant 1	Descant 2	Treble 1	Treble 2
    	Tenor 1	Tenor 2	Bass	Violoncello/Viola da gamba	Harpsichord

  • 4. movement, arr. for 7 recorders and b.c.

    Score		Descant 1	Descant 2	Treble 1	Treble 2
    	Tenor 1	Tenor 2	Bass	Violoncello/Viola da gamba	Harpsichord

• Brandenburg Concerto no 4 (BWV1049)
  edited with harpsichord setting of the thorough bass by Michel Rondeau
  • 1. movement, Allegro

    Score		Treble recorder 1	Treble recorder 2	Violin 1
    Violin 2	Viola	Violoncello	Double bass	Harpsichord

  • 2. movement, Andante

    Score		Treble recorder 1	Treble recorder 2	Violin 1
    Violin 2	Viola	Violoncello	Double bass	Harpsichord

  • 3. movement, Presto

    Score		Treble recorder 1	Treble recorder 2	Violin 1
    Violin 2	Viola	Violoncello	Double bass	Harpsichord

• Brandenburg Concerto no 6 (BWV1051)
  • 1. movement, arr. for 5 recorders and b.c.

    Score		Treble 1	Treble 2
    Tenor 1	Tenor 2	Bass	Violoncello/Viola da gamba	Harpsichord

  • 2. movement, arr. for 3 recorders and b.c.

    Score		Treble 1	Treble 2
    Bass	Violoncello/Viola da gamba	Harpsichord

  • 3. movement, arr. for 5 recorders and b.c.

    Score		Treble 1	Treble 2
    Tenor 1	Tenor 2	Bass	Violoncello/Viola da gamba	Harpsichord

• Triosonata in E-flat-Major (BWV525) for organ
  transposed to C-Major and arr. for 3 recorders

  Score	[Allegro Moderato]	Adagio	Allegro
  Descant recorder	Treble recorder	F-Bass recorder

• Triosonata in D-Major (BWV530) for organ
  transposed to F-Major and arr. for 3 recorders

  Score	Vivace	Lento	Allegro
  Descant recorder	Treble recorder	F-Bass recorder

• Fugue in G Major (BWV550)
  arr. for 4 recorders by Giacomo Andreola

  Score

  Descant & Treble

  Tenor & Bass

• Fugue in G Minor (BWV558)
  arr. for 4 recorders by Giacomo Andreola

  Score

  Descant & Treble

  Tenor & Bass

• Fugue in B-flat Major (possibly by J.L.Krebs) (BWV560)
  arr. for 4 recorders by Giacomo Andreola

  Score

  Descant & Treble

  Tenor & Bass

• Fugue in G-Minor (BWV578)
  arr. for 4 recorders by Giacomo Andreola

  Score

  Descant & Treble

  Tenor & Bass

• Canzona in D-Minor (part 1 only) (BWV588)
  arr. for 4 recorders by Giacomo Andreola

  Score

  Descant & Treble

  Tenor & Bass

• Wer nur den lieben Gott lässt walten - organ chorale prelude (BWV647)
  transposed a minor third down to A Minor and arranged for recorders SATB by Albert H. Kuipers

  Score

  Descant

  Treble

  Tenor

  Bass

• Liebster Jesu, wir sind hier - organ chorale prelude (BWV730)
  arranged for recorders SATB by Albert H. Kuipers

  Score

  version for recorders AATB

  version for recorders AABB

• Liebster Jesu, wir sind hier - organ chorale prelude (BWV731)
  arranged for recorders SATB by Albert H. Kuipers

  Score

• Quodlibet, Variation 30 from Goldberg Variations for Clavier (BWV988)
  arr. for 4 recorders by Bob Tennent, rdtennent@hotmail.com

  Score

• Concerto nach Italienischem Gusto for keyboard instrument (BWV971)
  1. movement, [Allegro] arranged for recorders SATB by Eduardo Fonseca

  Score

  Descant

  Treble

  Tenor

  Bass

• Goldberg Variations (BWV988)
  arr. for 4 recorders by Giacomo Andreola

  Variatio 10:	Score	Descant & Treble	Tenor & Bass
  Variatio 18:	Score	Treble & Tenor
  Variatio 19:	Score

• Canon a 4 perpetuus (BWV1073)
  adapted for recorders and keyboard instruments by Alberto Gomez Gomez

  Score

• Musikalisches Opfer (BWV1079)
  arr. for recorders, saxophones etc. by Alberto Gomez Gomez

  Score

• Kunst der Fuge (BWV1080), selected fugues
  arr. for 4 recorders by Giacomo Andreola

  Contrapunctus I	Score	Descant	Treble	Tenor	Bass
  Contrapunctus II	Score	Descant & Treble	Tenor & Bass
  Contrapunctus IV	Score	Descant & Treble	Tenor & Bass
  Contrapunctus IX	Score	Descant & Treble	Tenor & Bass
  Contrapunctus XVI - rectus	Score	Treble 1	Treble 2	Bass
  Contrapunctus XVI - inversus	Score	Treble 1	Treble 2	Bass

• 14 Canons on the First Eight Notes of the Goldberg Ground (BWV1087)
  adapted for recorders and Keyboard instruments by Alberto Gomez Gomez

  Score

• Movements from Cello suites
  arr. for recorder by Giacomo Andreola
  Notes on recorder technique

  Suite No. 1 (BWV1007), Prelude	Treble version	Descant/Tenor version	F-Major version
  Suite No. 3 (BWV1009), Courante	Treble version	Descant/Tenor version

• Herzliebster Jesu - organ chorale prelude (BWV1093)
  arranged for recorders by Eric Haas, eric@vonhuene.com

  Score

  Descant recorder

  Treble recorder

  Tenor recorder

  C- or F-Bass recorder

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2008-06-27, Christian Mondrup